confession

Peter Sands experiments with toxic drugs from the war to induce altered states of consciousness, seeking a painful but transformative spiritual awakening symbolized by a divine 'sting of death.' He experiences visions of divine and humble entities, prompting discussions on theology, humility, and the nature of divine-human separation. Meanwhile, Tibor McMasters confronts his fear of a religious pilgrimage to find the God of Wrath, engaging in a dialogue about confession, guilt, and spiritual duty that leads to his tentative acceptance of Christian guidance.