literary-pasticcio

This chapter, written by John Clute, analyzes Michael Moorcock's novel The Final Programme and its evolution into The Cornelius Quartet, framing it as a series of mythopoeic variations on the character Jerry Cornelius. It draws an extended analogy between the musical pasticcio of Diabelli and Beethoven's variations and Moorcock's literary variations on Cornelius, emphasizing themes of identity, urban life, and the entropic nature of the modern city. The chapter situates Cornelius as a mutable anti-hero whose struggles reflect the challenges of maintaining authenticity and identity in a rapidly decaying urban environment, while also tracing the tonal and thematic shifts across the tetralogy's volumes.