Opening the stacks
Opening the stacks
Kinnall Darival risks exile or death to teach his people about authentic human identity and self-expression.
4 chapters across 3 books
The chapter introduces a far-future setting where humanity has spread across the galaxy, with each colony developing distinct cultures over centuries. On the planet Borthan, a unique and oppressive social order called the Covenant forbids self-expression and the use of personal pronouns, punishing 'self-baring' with exile or death. The protagonist, Kinnall Darival, a prince of Salla, is inspired by a visitor from Earth to challenge this taboo and redefine what it means to be human.
The chapter introduces Kinnall Darival, who begins writing an autobiography despite the cultural taboo against self-reference on his world. He reflects on the act of self-expression as both obscene and revolutionary, asserting his sanity and hope in a society afflicted by a mysterious sickness. Darival positions his narrative as a healing act, anticipating violent opposition but determined to reveal his personal truth.
In the 'Preamble' chapter of Damnation Alley, Hell Tanner attempts a high-speed escape on his motorcycle but is ultimately captured by authorities and taken to Los Angeles amid a chaotic and ominous atmospheric disturbance. The narrative introduces Tanner's rebellious character, the post-apocalyptic setting with environmental hazards, and hints at a larger political structure in California that has pardoned Tanner but expects him to fulfill a mysterious obligation. The chapter ends with Tanner meeting Mr. Denton, the Secretary of Traffic, who offers him a choice regarding his future involvement.
The chapter humorously critiques society's euphemistic language around death and explores the author's youthful experiences with marijuana as a discreet alternative to alcohol, reflecting social attitudes and personal rebellion. It then shifts to a comedic and exaggerated portrayal of compulsive cleanliness in airplane lavatories, followed by sharp satirical observations on consumer culture and social norms. Finally, Carlin proposes extreme, violent modifications to sports and a provocative critique of capital punishment as a theatrical, religiously ritualized spectacle designed to entertain and distract the public.