praise-singing
An ancient custom performed by the Mellower involving poetry and music to celebrate and heal the spirit of the family.
3 chapters across 1 book
The Ear, the Eye and the Arm (1994)Nancy Farmer
The chapter introduces Tendai, a boy living in a futuristic Zimbabwe, who awakens from a mysterious dream signaling an important forthcoming event. The narrative establishes Tendai's family dynamics, particularly his relationship with his strict, military father, General Amadeus Matsika, and the presence of the Mellower, a Praise Singer who uses poetry and music to uplift the family. The story highlights the tension between tradition and modernity, the protective yet oppressive nature of Tendai's family environment, and the looming sense of destiny.
In this chapter, the family struggles with the disappearance of the children who are following a mysterious figure named Trashman, while the adults grapple with their feelings of guilt, helplessness, and despair. The Mellower, a Praise Singer who uses ritualistic praise to heal and uplift, is enlisted to aid a wounded detective named Arm, whose mental wounds from a recent traumatic event begin to heal through the Mellower's art. The chapter highlights the tension between despair and hope, the power of ritual and praise, and the complex social dynamics surrounding the search for the missing children.
In this chapter, the Ear, Eye and Arm detective agency grapples with the emotional toll of the missing children case, particularly Mrs. Matsika's despair over her lost children and the Mellower's suspicious behavior linked to Praise singing. Tendai and Rita observe a gathering of English tribe women at Mrs. Horsepool-Worthingham's residence, planning to expose her as complicit in holding the children hostage. The chapter culminates with the dramatic arrival of the She Elephant, signaling a turning point in their rescue attempt.