war-and-violence
The concept of war and killing is introduced as a disturbing and primitive idea embedded in the tales, suggesting a savage past.
3 chapters across 2 books
City (1952)Clifford D. Simak
This chapter serves as an editor's preface and the first tale of Clifford D. Simak's "City," presenting a legendary narrative told by Dogs about the mythical existence of Man and the concept of a city. The editor discusses the ambiguity and speculative nature of the tales, highlighting the difficulty in discerning historical truth from myth, while the first tale introduces a futuristic domestic scene illustrating the pervasive automation and the generational tensions it evokes.
Hocus Pocus (1990)Kurt Vonnegut
The chapter recounts the aftermath of a surprise attack on Scipio, focusing on the narrator's reflections on personal losses, social dynamics, and the violent conflict engulfing the valley. The narrator describes the involvement of various characters, including Muriel Peck, the professor who replaced him, and his estranged wife Margaret, while also detailing the chaotic battle and its impact on the community and prisoners. The narrative explores themes of survival, social hierarchy, and the futility of violence amid a fractured society.
The chapter reflects on the tragic suicide of Hiroshi Matsumoto, a man who survived the Hiroshima atomic bombing as a child but later ended his life through harakiri. The narrator, who served as a prison warden, contrasts Hiroshi's innocence and suffering with the harsh realities of the penal system and ongoing drug war, while exploring themes of trauma, human cruelty, and the impact of historical violence on individuals. The chapter also touches on racial prejudice during World War II and the complex legacies of war and memory.