technological-progress
Scientific advancements such as steam engines, printing presses, and galvanic currents are emerging, challenging the gods' traditional authority.
4 chapters across 1 book
Lord of Light (1967)Roger Zelazny
The chapter 'Preamble' introduces a complex mythic and technological world where gods, demigods, and humans interact amid rising scientific progress and religious conflict. Key figures such as Nirriti the Black and Captain Olvegg discuss the weakening power of the gods and the spread of a new religion led by Sam, while the Rakasha Taraka contemplates joining forces with Nirriti to challenge the gods' dominion. The narrative blends Hindu-inspired cosmology with futuristic elements, setting the stage for a struggle between divine and mortal powers.
This chapter introduces a complex mythic and theological framework centered on the figure called Maitreya, or Lord of Light, and explores the cyclical nature of cosmic sacrifice and rebirth through Upanishadic imagery. It also presents a tense dialogue between Nirriti the Black and the sea captain Olvagga, revealing political and spiritual conflict involving gods, demigods, and emerging human technology. Additionally, the chapter portrays Taraka of the Rakasha reflecting on past battles with divine beings and preparing to join Nirriti in a campaign to challenge the gods' power and bring about their downfall.
This chapter introduces key characters and sets the stage for a conflict between gods and mortals, highlighting the decline of divine power in the face of human technological progress and new religious movements. It features a dialogue between Nirriti the Black and Captain Olvagga discussing the weakening of the gods and the rise of mechanization, as well as Taraka of the Rakasha contemplating an alliance to overthrow the gods by destroying their temples. The chapter blends Hindu philosophical imagery with a futuristic setting, emphasizing cycles of destruction and rebirth.
This chapter explores the mythic and theological backdrop of the world, introducing key characters such as Nirriti the Black and Olvagga, a sea captain imprisoned by Nirriti. It reveals the tension between the gods and emerging human technological progress, highlighting a brewing conflict where Nirriti seeks to rally forces to destroy the City and restore the 'true faith.' The chapter also introduces Taraka of the Rakasha, a powerful entity plotting to join Nirriti's dark cause to overthrow the gods and their celestial city.