The Plague You Carry Is the One You Designed
A correction first, since the building keeps its own records: David Zindell published *The Broken God* in 1993, not 2017. It is the second volume of his Neverness sequence, following the 1988 novel of that name, and it has been circulating for over three decades. That matters. What reads as prophecy at nine years looks different at thirty-three. The book has had time to be wrong in interesting ways and right in ways its author could not have intended.
The central arc—Danlo's journey from a shattered indigenous tribe into the heart of a civilization drunk on its own cognitive technologies—lands with a specificity that 1993 should not have been able to achieve. Hanuman li Tosh's trajectory is the one to watch now. He begins as a brilliant, wounded boy; he ends as the architect of a synthetic religion built on captured memories, cybernetic remembrancing, and charismatic manipulation of recorded experience. He does not merely found a church. He builds a platform. The replacement of direct kalla-induced spiritual experience with "remembrances recorded via cybernetic means" is, in 2026, not a metaphor. It is a business model. The tension Zindell stages between unmediated ecstatic experience and its institutional, technologically reproduced copy is precisely the tension between, say, genuine contemplative practice and the guided-meditation-as-subscription-service economy, or between authentic community and algorithmically optimized engagement. Hanuman's theft of Tamara's memories—her identity dissolved not by violence but by unauthorized access to her cognitive data—reads now as a data privacy horror story dressed in far-future robes. The novel understood that the most intimate violation would not be of the body but of the record.
What Zindell could not see, or chose not to explore, is the distributed nature of these harms. His world is intensely hierarchical, intensely personal. Power flows through individual genius, individual corruption, individual charisma. There is no equivalent of the feed, no swarm dynamics, no emergent stupidity of crowds amplified by recommendation engines. The Ringist religion spreads through joyances and testaments—essentially rallies and sermons—not through viral content. This is a 1993 imagination of how ideas propagate: through great men in great rooms. The absence of any networked populism, any leaderless contagion of belief, marks the book as pre-internet in its bones even as its themes are post-internet in their implications. Similarly, the Alaloi genocide-by-engineered-virus feels both prescient (gain-of-function anxieties, pandemic-era paranoia about lab origins) and curiously incomplete. Zindell treats the plague as a singular act of hubris by a singular man. We now know that the really dangerous pathogens are the ones nobody meant to release, the ones that emerge from systemic negligence rather than individual ambition.
